It's not often that I get to get out of Ireland for a trip and with the pressure of University at the moment , a break to London for a day was a nice getaway. While we were there we visited The Radical Eye Exhibition in the TATE Modern, to see part of Sir Elton John's Collection of photographs. We also did the touristy thing and went around taking photos of the sights. Among the ideas I wanted to try and shoot while I was there, was to capture the architecture. I decided to focus on the modern buildings of the city. Below are the set of ten images that show what the buildings in London are like.
Monochrome.
Deirbhile on Grafton St. Shooting with a Mamyia M645. Photo Taken with a Canon AE-1 with a Canon 50mm ƒ1.4 lens on Kodak T-Max 400 (TMY)
Dublin - Street shooting
Deirbhile getting to grips with the waist love view finder on the Mamyia. Photo Taken with a Canon AE-1 with a Canon 50mm ƒ1.4 lens on Kodak T-Max 400 (TMY)
Myself and a few friends decided to meet up to go street shooing and introduce one of the girls to the wonderful world of film photography. Myself and Colin also decided to swap cameras, with Colin taking my Hasselblad 500C/M and me taking his Canon AE-1. I handed my Mamyia M645 to Deirbhile and quickly showed her how to use it before losing it with a roll of tri-x.
Being a typical Irish summer day it rained nearly non stop for the whole day. With everywhere grey and dull I decided to shot a medium speed black and white film. I had a large choice of films from Fuji, Ilford and Kodak. I took a roll of Kodak T-Max 400 to see what the modern equivalent of Tri-X was like.
We had planned to do a "one roll of film" style project using my Hasselblad. The project entailed taking 12 frames and be proud to keep and print each one. However this didnt happen as we all were shooting very carefully, which made us take out time with our shots. Along with this it was difficult to shoot all 36 exposures on the 35mm Canon AE-1, and manage to get 36 shots that I would be proud to keep and print with in the time we were shooting.
Knowing that it was going to be a difficult day shooting I decided to try and get at least 12 of the 36 shots at a standard that I would be happy to keep and print. All the shots below have been taken with a Canon AE-1 with a Canon 50mm ƒ1.4 lens on Kodak T-Max 400 (TMY)
through the window of The Butcher Barber, Just off Grafton street. Colin's reflection as he was spectating me shooting. Photo Taken with a Canon AE-1 with a Canon 50mm ƒ1.4 lens on Kodak T-Max 400 (TMY)
I set out to capture some of the interesting things I seen when walking around. After running between rain showers, in and out of buildings and 4 hours of walking I shot all 36 shots. above and below are some of the shots I liked and would be proud, these shots are from the first part of the roll of film where i was striving to make each shot count.
Kells - A Portrait of A Community
Kells, A quaint, picturesque village in the heart of the Kilkenny countryside. Set on the banks of the Kings river and back drop to the 12th Century Augustine priory. I spent the summer taking photos of this wonderful place so this blog has been a few months in the making, I want the photos to do the talking in this one. Fore the techies and photographers like me all images were captured using a Hasselblad 500C/M with various types of film both in date and expired. All images viable for print on request.
My Photography Journey so far...
Photography is something ingrained in me, since the very first timeI shot my first photo at the age of three or four on a Minolta Maxxium 7000, I have enjoyed taking photos. It wasn't until in 2008 when on a trip to Australia and on to india did I start to get into it again. Up until then I hadn't done much in the line of taking photos as it was, (what i felt at the time) quite cumbersome with film and not really knowing what I would get, how to go about it and film wasn't cheap. With the advent of digital it all became easy, with the click of a button and suddenly you had instant gratification in the form of a picture on the LCD of the camera.
Looking across at Mumbi, India, Taken on a Sony A300
Im not going to lie, I though I was the bees knees. Although looking back I was downright awful but we all do have to start from somewhere. The shot above would be one of my better shots from back them, the others I never want them to see the light of day. For the next few year I would dabble not really paying much attention to what I was doing, until the heavy snows hit Ireland and the county looked like something out of a fairy tail. For the first time I went out with some intent to try and capture what I was envisioning .
Fast forward a few years to (2011) when I was in Dublin City University studying pharmaceutical chemistry. At the end of my first year there I traded up to a canon 5DmkII from my Sony A300, Early in my second year there I started to work with another photographer out side of the university, along with covering a multitude of event for the student union. I covered events from concerts with the stripes to shave and dye to raise money for charity and everything in-between. The fire and passion for photography had well and truly been relit and burned even more intense this time. I started testing the waters of different areas of photography and began to develop my photographic style. During the middle of that year I decided to join the photography society there (DCU Fotosoc).
The next year I began to teach some basic workshops and passed on what I knew to people while still leaning so much myself.
My favourite area of photography has to be portraiture and fashion, why? Well thats simple, because it lets me tell my own stories and work with some amazing and interesting people. One of the first shoots I did was when I went on a trip to Berlin with DCU Fotosoc, Myself and two of my friends decided to go on a walk to the Brandenburg gate at 3 in the morning on what i can only describer as a baltic night, -3Deg C. On the way we talked and shot some street photo of the completely empty streets. The shot we took that nigh were the most memrobile shots from the trip.
Unter Den Linden, Berlin at 3am
The portraits I shot were of my friends who were with me, I was trying out the Brenizer Method of portraiture in the first shot below, which involves taking loads of photos of your subject, stitching them all together to give a shallow depth of field. The others were all shot normally using a 50mm lens. I found that using a 50mm lens forced me to be more creative as it was so limiting. But it also helped me to understand how to isolate my subject making the images much more striking.
Since then I have organised a few of my own shoot around the country all of which can been seen in my blogs. But the biggest thing to happen to me so far was my trip to delft where I bough my first film camera, a humble Mamyia M645 medium format camera with a standard 80mm lens. This bring me back to the very first photo i remember taking on that old Minolta Maxxium 7000. I For anyone who has never used a film camera I urge you to try it out. After spending years leaning everything on digital, film suddenly didn't seem so daunting. I knew if I put what I had been practicing into use I should get some useable shots. I did get some however it was a totally new learning curve, as each film behaves differently when shooting, I'm not saying it was hard to learn, it was just well... different.
A church and clock tower in the centre of Delft. Taken with a mamyia M645, 80mm ƒ2.8 Sekor lens on Fuji Reala 100ASA
The Canals of delft. Taken with a mamyia M645, 80mm ƒ2.8 Sekor lens on Ilford Delta 100ASA
So Dabbling with film, researching different film stock and with the help of my Friend Colin (Check our his blog and photos here >> colintonge.com ) I started to get results that I was happy with. A big decision that I recently made was to purchase a Hasselblad 500C/M, which is one of my dream cameras.
Since I have started to shoot film, I have found that I slow down and think about my shots much more, making each and every shot count. There is something about shooting on film that just feels right, each shot feel more connected and more alive then anything I have ever shot on a digital camera. Now that I have the film bug I am the look out of interesting cameras, lens and films that I can use to tell more stories.
My outlook is very different now to what it was when I first started out. I am still leaning and constantly improving what I do and what I want to show people. This leads me on to my next chapter in my photography journey. From September I will be back in University, this time to follow my passion in photography.
If your interested in seeing the rest of my work make sure to head over to my main site (Here) and check out the rest of my blogs of the shoots I have done.
Bee Keeping
Earlier this year I got my hands on a Hasselblad 500C/M medium format film camera, I decide to test it out and shoot some places and activities that happen in my local village. I started off with something very close to home, my dad; and his bee keeping and egg farming.
Taken on Fuji Neopan 400, Carl and Cormac getting ready to go into the hives and inspect the bees, Carl lighting the smoker while Cormac takes a look at the tools and metraials for making frames.
All the different parts that go into making frames for the bees. The frames contain a foundation wax which the bees use to build honey comb.
These pictures show a small glimpse into what goes into both making parts of the hive and maintaining the bees to get a good yield of honey. With over sixty thousand bees per hive, and not having a suit I decided to be quick and get a few shots before the real work began, and the bees became agitated.
Taken on Kodak Tri-X, Carl and Cormac talking about what they are going to do, Carl holding a nuke box with some empty frames already inside.
Fine art - Flowers
Sometimes beauty can be seen in the simplest of things. Here is a selection of flowers that I have shot. All the shots below were captured using a Mamyia M645 medium format film camera. The monochrome shots were taken on Kodak Tri-X and the colour shots on an out of date roll of Fuji Provia Slide film. Shooting out of date film has given the film a strange washed out look, along with a strange but interesting colour cast.
Portrait of an Artist - Paul Flynn (PtII) , A Film Shoot
I mentioned in my last blog It was a pleasure to work with Paul in his studio for this shoot, and a little surprise in this blog, as I'm sure you have guessed for the title, these are the analog film photographs from that day.
I think these shots capture the mood and atmosphere in Paul's studio much better then my digital shots could have. To me the shots below feel much more alive and human. For those interested I shot these on my Mamyia M645with an 80mm ƒ2.8 lens using Kodak Tri-X film. The grain and tonality of the film was perfect for capturing Paul at work. While the lighting was low and I had to compensate this with some slow shutter speeds, this gave another human element with the motion blur of his movements. Non the less while we chatted, we both worked away, Paul painting and working on a few of his paintings and me carefully taking shots. In the few shots below Paul is working on part of his 1916 set of paintings.
En Pointé - A Ballet Project
The En Pointé series started out as a fascination of the art of ballet. The complex but beautiful moves and positions have been something that I have wanted to capture for a long time.
After deciding to undertake this project with fellow photographer Colin Tonge, a few weeks of planning started to prepare for the shoot. With the help of Colin he put me in contact with two ballerinas Caitríona and Loren Katie.
With the help of Colin, the two ballerinas and a lot of searching on social media and photo sharing sites, I came up with a shot and location list. ( which I was hoping to stick to, but in the end didn't)
I decided that I wanted to under take this project as a pure monochrome series that both contrasts and complemts in different ways. I was going to achieve this by juxtaposing the modes in different lighting and locations. along with contrasting clothing. While Colin shot on 35mm film for the duration of the shoot which added another level to the shoot.
The girls leotards were key to the shoot, as there needed to be a good contrast between them. To get the look I was after I asked that they wear black and white, or bright and dark colours so that they would contrast when the image were turned into monochrome.
The day of the shoot, the weather was looking like it was going to be against us. it was grey and a bit windy. Lucky this helped the shots, giving a natural breeze and a beautiful soft light, with very few shadows to work in.
To get accurate exposure my assistant Richie metered the light using a hand held light meter as the cameras built in meter could not give em an accurate value due to the colour of the leotards.
Working with Caitríona and Loren Katie was an absolute pleasure, they both helped out by giving input into the shots, and even spotting some locational shots that I would have missed. To check out the full series head on over to the series gallery. Please head over to Facebook and give me page a like and share
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