M645

My Photography Journey so far...

Photography is something ingrained in me, since the very first timeI shot my first photo at the age of three or four on a Minolta Maxxium 7000, I have enjoyed taking photos. It wasn't until in 2008 when on a trip to Australia and on to india did I start to get into it again. Up until then I hadn't done much in the line of taking photos as it was, (what i felt at the time) quite cumbersome with film and not really knowing what I would get, how to go about it and film wasn't cheap. With the advent of digital it all became easy, with the click of a button and suddenly you had instant gratification in the form of a picture on the LCD of the camera. 

Looking across at Mumbi, India, Taken on a Sony A300 

Looking across at Mumbi, India, Taken on a Sony A300 

Im not going to lie, I though I was the bees knees. Although looking back I was downright awful but we all do have to start from somewhere. The shot above would be one of my better shots from back them, the others I never want them to see the light of day.  For the next few year I would dabble not really paying much attention to what I was doing, until the heavy snows hit Ireland and the county looked like something out of a fairy tail. For the first time I went out with some intent to try and capture what I was envisioning . 

 SONY DSC

Fast forward a few years to (2011)  when I was in Dublin City University studying pharmaceutical chemistry. At the end of my first year there I traded up to a canon 5DmkII from my Sony A300, Early in my second year there I started to work with another photographer out side of the university, along with covering a multitude of event for the student union. I covered events from concerts with the stripes to shave and dye to raise money for charity and everything in-between. The fire and passion for photography had well and truly been relit and burned even more intense this time.  I started testing the waters of different areas of photography and began to develop my photographic style. During the middle of that year I decided to join   the photography society there (DCU Fotosoc). 

The next year I began to teach some basic workshops and passed on what I knew to people while still leaning so much myself. 

My favourite area of photography has to be portraiture and fashion, why? Well thats simple, because it lets me tell my own stories and work with some amazing and interesting people.  One of the first shoots I did was when I went on a trip to Berlin with DCU Fotosoc,  Myself and two of my friends decided to go on a walk to the Brandenburg gate at 3 in the morning on what i can only describer as a baltic night, -3Deg C. On the way we talked and shot some street photo of the completely empty streets. The shot we took that nigh were the most memrobile shots from the trip. 

Unter Den Linden, Berlin at 3am 

Unter Den Linden, Berlin at 3am 

The portraits I shot were of my friends who were with me, I was trying out the Brenizer Method of portraiture in the first shot below, which involves taking loads of photos of your subject, stitching them all together to give a shallow depth of field. The others were all shot normally using a 50mm lens.  I found that using a 50mm lens forced me to be more creative  as it was so limiting. But it also helped me to understand how to isolate my subject making the images much more striking.

Since then I have organised a few of my own shoot around the country all of which can been seen in my blogs. But the biggest thing to happen to me so far was my trip to delft where I bough my first film camera, a humble Mamyia M645 medium format camera with a standard 80mm lens. This bring me back to the very first photo i remember taking on that old Minolta Maxxium 7000. I For anyone who has never used a film camera I urge you to try it out. After spending years leaning everything on digital, film suddenly didn't seem so daunting. I knew if I put what I had been practicing into use I should get some useable shots.  I did get some however it was a totally new learning curve, as each film behaves differently when shooting, I'm not saying it was hard to learn, it was just well... different. 

A church and clock tower in the centre of Delft. Taken with a mamyia M645, 80mm ƒ2.8 Sekor lens on Fuji Reala 100ASA

A church and clock tower in the centre of Delft. Taken with a mamyia M645, 80mm ƒ2.8 Sekor lens on Fuji Reala 100ASA

The Canals of delft. Taken with a mamyia M645, 80mm ƒ2.8 Sekor lens on Ilford Delta 100ASA

The Canals of delft. Taken with a mamyia M645, 80mm ƒ2.8 Sekor lens on Ilford Delta 100ASA

So Dabbling with film, researching different film stock and with the help of my Friend Colin (Check our his blog and photos here >> colintonge.com  ) I started to get results that I was happy with. A big decision that I recently made was to purchase a Hasselblad 500C/M, which is one of my dream cameras. 

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Since I have started to shoot film, I have found that I slow down and think about my shots much more, making each and every shot count.  There is something about shooting on film that just feels right, each shot feel more connected and more alive then anything I have ever shot on a digital camera. Now that I have the film bug I am the look out of interesting cameras, lens and films that I can use to tell more stories. 

Taken on my Hasselblad 500C/M with a Zeiss 80mm ƒ2.8T* Planer lens using Kodak Portra 100

Taken on my Hasselblad 500C/M with a Zeiss 80mm ƒ2.8T* Planer lens using Kodak Portra 100

My outlook is very different now to what it was when I first started out. I am still leaning and constantly improving what I do and what I want to show people.  This leads me on to my next chapter in my photography journey. From September I will be back in University, this time to follow my passion in photography. 

If your interested in seeing the rest of my work make sure to head over to my main site (Here) and check out the rest of my blogs of the shoots I have done. 

Dalkey Vintage Fashion - Revist

Looking back through my photo I realised that after this made it to publication in Ondine magazine, I never released my own blog of the editorial. So nearly a year later here it is. For this shoot I shot both Analog and Digital, Make sure to have a look down the end where the Analog shots are, Which were taken using a Mamyia M645 with 80mm ƒ2.8 Sekor lens on Ilford Delta 100ASA film. 

Dalkey is an area of Dublin that I have always found to be very picturesque Whether it’s castles, sea side scenery, theatre or markets, Dalkey  seems to give a moment to capture and scenery that takes your breath away. That’s why I have always wanted to incorporate the area into one of my shoots and took this opportunity to do so. Especially the striking rock faces of the near by quarry that tell a simple but magical story of their own. With the help of the talented Carina from Cherie Styling Studio, we were able to make this vision became a reality. With the amazing scenery we decided a vintage inspired shoot would be most fitting to capture the raw beauty of Dalkey.

For this first look, we decided to go for more of a traditional luxury winter feel. With Tweeds, wools and hats that glimmer with vintage glamour, with a just touch of antique fur that emphasises the feel of luxury. In this first look, colours such as camels greys, browns and creams were used to enhance the raw beauty of Dalkey, making the outfit and scenery compliment one another. With such colours, one knows that they will forever stay fashionable and bring that touch of class to any outfit, for any age, for any gender.

The second look, we decided to have a little fun with, we wanted a fight to happen with the colours the models were wearing and the natural colours of the scenery. One might say battle to be noticed. This look is more of a raw and edgy one compared to our first look. . To do this we used classic black and white  houndstooth. This holds an ageless quality and has the ability to always looks fantastic when mixed with shades of reds, blacks and whites! We used red pain tent ankle boots and fur trimmed ankle boots, to tie in our luxury vintage feel, with the addition of hats from Rosemary Keating helped to finish the outfits giving it more class and definition. Timeless fashion captured in an Iconic Location.

Models: Ally Archbold, Ben O'Beirne and Síofra Ní Chléirigh.
Styling and Clothing by Carina Cunningham, Cherie Styling Studio.
Hats Supplied by milliner Rosemary Keating.
Assistant Photographer: Lauren Thomas.
Videographer: Colin Tonge and Assistant Mark Crabbe.