Fashion

My Photography Journey so far...

Photography is something ingrained in me, since the very first timeI shot my first photo at the age of three or four on a Minolta Maxxium 7000, I have enjoyed taking photos. It wasn't until in 2008 when on a trip to Australia and on to india did I start to get into it again. Up until then I hadn't done much in the line of taking photos as it was, (what i felt at the time) quite cumbersome with film and not really knowing what I would get, how to go about it and film wasn't cheap. With the advent of digital it all became easy, with the click of a button and suddenly you had instant gratification in the form of a picture on the LCD of the camera. 

Looking across at Mumbi, India, Taken on a Sony A300 

Looking across at Mumbi, India, Taken on a Sony A300 

Im not going to lie, I though I was the bees knees. Although looking back I was downright awful but we all do have to start from somewhere. The shot above would be one of my better shots from back them, the others I never want them to see the light of day.  For the next few year I would dabble not really paying much attention to what I was doing, until the heavy snows hit Ireland and the county looked like something out of a fairy tail. For the first time I went out with some intent to try and capture what I was envisioning . 

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Fast forward a few years to (2011)  when I was in Dublin City University studying pharmaceutical chemistry. At the end of my first year there I traded up to a canon 5DmkII from my Sony A300, Early in my second year there I started to work with another photographer out side of the university, along with covering a multitude of event for the student union. I covered events from concerts with the stripes to shave and dye to raise money for charity and everything in-between. The fire and passion for photography had well and truly been relit and burned even more intense this time.  I started testing the waters of different areas of photography and began to develop my photographic style. During the middle of that year I decided to join   the photography society there (DCU Fotosoc). 

The next year I began to teach some basic workshops and passed on what I knew to people while still leaning so much myself. 

My favourite area of photography has to be portraiture and fashion, why? Well thats simple, because it lets me tell my own stories and work with some amazing and interesting people.  One of the first shoots I did was when I went on a trip to Berlin with DCU Fotosoc,  Myself and two of my friends decided to go on a walk to the Brandenburg gate at 3 in the morning on what i can only describer as a baltic night, -3Deg C. On the way we talked and shot some street photo of the completely empty streets. The shot we took that nigh were the most memrobile shots from the trip. 

Unter Den Linden, Berlin at 3am 

Unter Den Linden, Berlin at 3am 

The portraits I shot were of my friends who were with me, I was trying out the Brenizer Method of portraiture in the first shot below, which involves taking loads of photos of your subject, stitching them all together to give a shallow depth of field. The others were all shot normally using a 50mm lens.  I found that using a 50mm lens forced me to be more creative  as it was so limiting. But it also helped me to understand how to isolate my subject making the images much more striking.

Since then I have organised a few of my own shoot around the country all of which can been seen in my blogs. But the biggest thing to happen to me so far was my trip to delft where I bough my first film camera, a humble Mamyia M645 medium format camera with a standard 80mm lens. This bring me back to the very first photo i remember taking on that old Minolta Maxxium 7000. I For anyone who has never used a film camera I urge you to try it out. After spending years leaning everything on digital, film suddenly didn't seem so daunting. I knew if I put what I had been practicing into use I should get some useable shots.  I did get some however it was a totally new learning curve, as each film behaves differently when shooting, I'm not saying it was hard to learn, it was just well... different. 

A church and clock tower in the centre of Delft. Taken with a mamyia M645, 80mm ƒ2.8 Sekor lens on Fuji Reala 100ASA

A church and clock tower in the centre of Delft. Taken with a mamyia M645, 80mm ƒ2.8 Sekor lens on Fuji Reala 100ASA

The Canals of delft. Taken with a mamyia M645, 80mm ƒ2.8 Sekor lens on Ilford Delta 100ASA

The Canals of delft. Taken with a mamyia M645, 80mm ƒ2.8 Sekor lens on Ilford Delta 100ASA

So Dabbling with film, researching different film stock and with the help of my Friend Colin (Check our his blog and photos here >> colintonge.com  ) I started to get results that I was happy with. A big decision that I recently made was to purchase a Hasselblad 500C/M, which is one of my dream cameras. 

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Since I have started to shoot film, I have found that I slow down and think about my shots much more, making each and every shot count.  There is something about shooting on film that just feels right, each shot feel more connected and more alive then anything I have ever shot on a digital camera. Now that I have the film bug I am the look out of interesting cameras, lens and films that I can use to tell more stories. 

Taken on my Hasselblad 500C/M with a Zeiss 80mm ƒ2.8T* Planer lens using Kodak Portra 100

Taken on my Hasselblad 500C/M with a Zeiss 80mm ƒ2.8T* Planer lens using Kodak Portra 100

My outlook is very different now to what it was when I first started out. I am still leaning and constantly improving what I do and what I want to show people.  This leads me on to my next chapter in my photography journey. From September I will be back in University, this time to follow my passion in photography. 

If your interested in seeing the rest of my work make sure to head over to my main site (Here) and check out the rest of my blogs of the shoots I have done. 

Serenity Fashion Editoral

Serenity.
The state of being calm, peaceful, and untroubled.
"an oasis of serenity amidst the bustling city"

Serenity, The state of being calm, peaceful, and untroubled. Being a free spirit and one with nature allows a feeling of pure unrivalled piece and calm. Mixing the pureness and simplicity of a white dress, in the fantastic picturesque location of the mine, Glendalough Co. Wicklow, Ireland, helps to create this serene mood.

I started by sketching some ideas, then I creating a mood board with the concept of the shoot in mind. With the Ideas and feeling of the shoot set in my head, I then went out on a location scout. I have wanted to shoot in Glendalough for some time, so this made my choice of location much easier. The feeling of calmness there really suited the ideas I had. I then contacted the model and stylist, sending on the mood board, and then began to source a dress, the make up look we would use and simple jewellery to complement the dress and location.

I decide early on that I was going to shoot film on this occasion. I began to research different film stocks and deciding if I should shoot in colour or black and white. After doing a large amount of research and testing out a range of films I decided that Kodak Portra 160 colour film would give the look and I was working towards. The next choice I had to make was whether to shoot square or rectangular format. I choose to shoot square format, as it isn't seen as much and would help the photographs to stand out.

Dress: Forever 21 kimono - €32
Foundation: luminous silk foundation number 5.5 from Giorgio Armani
EyeShadow: Estée Lauder pure colour eyeshadow palette using 'Sugar Biscuit' (no.60) 'Riviera Rose' (no.11) 'Ivory Slipper' (no.10) and 'Hot Cinnamon' (no.35)
Jewellery: Hand crafted by designer Heather Marie Baldwin

Location: Glendalough Upper lake and Mine, Co. Wicklow, Ireland.
Photographer: Conor Palin-Stewart - website
Assistant Photographer: Colin Tonge, Mark Finn
Model/MUA: Loren-Katie Logan
Stylist: Naiose Jo - Facebook
Assistant Stylist: Jessica Brennan

Dalkey Vintage Fashion - Revist

Looking back through my photo I realised that after this made it to publication in Ondine magazine, I never released my own blog of the editorial. So nearly a year later here it is. For this shoot I shot both Analog and Digital, Make sure to have a look down the end where the Analog shots are, Which were taken using a Mamyia M645 with 80mm ƒ2.8 Sekor lens on Ilford Delta 100ASA film. 

Dalkey is an area of Dublin that I have always found to be very picturesque Whether it’s castles, sea side scenery, theatre or markets, Dalkey  seems to give a moment to capture and scenery that takes your breath away. That’s why I have always wanted to incorporate the area into one of my shoots and took this opportunity to do so. Especially the striking rock faces of the near by quarry that tell a simple but magical story of their own. With the help of the talented Carina from Cherie Styling Studio, we were able to make this vision became a reality. With the amazing scenery we decided a vintage inspired shoot would be most fitting to capture the raw beauty of Dalkey.

For this first look, we decided to go for more of a traditional luxury winter feel. With Tweeds, wools and hats that glimmer with vintage glamour, with a just touch of antique fur that emphasises the feel of luxury. In this first look, colours such as camels greys, browns and creams were used to enhance the raw beauty of Dalkey, making the outfit and scenery compliment one another. With such colours, one knows that they will forever stay fashionable and bring that touch of class to any outfit, for any age, for any gender.

The second look, we decided to have a little fun with, we wanted a fight to happen with the colours the models were wearing and the natural colours of the scenery. One might say battle to be noticed. This look is more of a raw and edgy one compared to our first look. . To do this we used classic black and white  houndstooth. This holds an ageless quality and has the ability to always looks fantastic when mixed with shades of reds, blacks and whites! We used red pain tent ankle boots and fur trimmed ankle boots, to tie in our luxury vintage feel, with the addition of hats from Rosemary Keating helped to finish the outfits giving it more class and definition. Timeless fashion captured in an Iconic Location.

Models: Ally Archbold, Ben O'Beirne and Síofra Ní Chléirigh.
Styling and Clothing by Carina Cunningham, Cherie Styling Studio.
Hats Supplied by milliner Rosemary Keating.
Assistant Photographer: Lauren Thomas.
Videographer: Colin Tonge and Assistant Mark Crabbe.

Fashion On location with Designer Naoise

The underlying them of the shoot was an autumn winter theme to help shocks the pieces designed and hand made by Naoise. Shooting on location fashion always poses a challenge, for the look myself and Naoise were going for to show case her clothing designs created a few extra challenges. However using some amazing kit from Elinchrom these were over come.  The weather in Ireland at this time of year can be desperately poor, so shooting out doors would be a problem. With this in mind the location was chosen indoors, to give an urban feel and contrast with the clothing. 

Each shot was taken using a single Elinchrom Ranger Quadra with a Portalite 56cm octabox for lighting. During the shoot we shoot Three looks most of which were shoot indoors at out first location in powers court shopping centre, while other were shot outside on the surrounding streets.

The first look was made up of a white shift dress with hand beaded japenese shibori detailing, a grey polo neck jumper under the dress, along with a pale pink fur scarf and the same shade pink swollen gloves. The neutral toned shoes were picked to finish the look but not detract away from the dress. 

The second look was made up of a custom hand printed puffball skirt and a matching quilted crop top with knitted details, the look was finished off with some suede boots.  This Look was a complete contrast of elements. The environment, the vibrant and intricate patterning on the dress and the hard, dishevelled walls of the building we were in really wok well together,  all these element really helped make the dress really stand out from the backdrop. 

For the third and final look we moved on to the streets.  For this we also decided to shoot with two models to show how the clothing can fit a verity of body shapes. This Look was consisted of a maroon wool V neck dress with handmade japanese shibori detail on the shoulder and a custom printed panel. Paired with lilac trousers with a maroon stripe detailing on the side.

Dalkey Vintage: Behind the Scenes Video and Photos

Behind the scenes of a photoshoot with Conor Palin-Stewart Photography last week Stylist: Carina Cunningham Models: Ally Archbold Ben O'Beirne Siofra Cleary Assistants: Lauren Thomas Mark Crabbe Conor's Website: http://www.photocps.ie/ The song is 'Young and Beautiful' by 'Lana Del Rey'

Video By Colin Tonge

Please Head over to Ondine Magazine and check out the full published set in the latest October edition of the magazine.

Stencilize

One of the biggest shoots I have taken part in to date, well not just taken part but planned from scratch, done the location scout and organised models to be exact. The shoot involved 3 days in studio working with models and capturing still life photos of the products.  Below are a selection of the studio shots working with models. 

Kym 

Kym 

Richie

Richie

Richie

Richie

Kym 

Kym 

Working with the products, due to the design of the prints I had a shot idea where i wanted them hanging on string with pegs, to give an interesting look that draws you into the products, along with creating classic product images for publishing.

 Images ©Conor Palin-Stewart Photography.  For more Information visit www.photocps.com
 Images ©Conor Palin-Stewart Photography.  For more Information visit www.photocps.com
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Day four of the shoot was location day. a week earlier i had done a quick location scout around Dublin city, picking out locations that might work and even sketching out some possible shots. For this shoot I had 9 people modelling, doing a mix of individual and group shots at the various locations.  Want to see more then head over and check out the products over on Stencilize's website.

 Images ©Conor Palin-Stewart Photography.  For more Information visit www.photocps.com
 Images ©Conor Palin-Stewart Photography.  For more Information visit www.photocps.com
 Images ©Conor Palin-Stewart Photography.  For more Information visit www.photocps.com
 Images ©Conor Palin-Stewart Photography.  For more Information visit www.photocps.com
 Images ©Conor Palin-Stewart Photography.  For more Information visit www.photocps.com
 Images ©Conor Palin-Stewart Photography.  For more Information visit www.photocps.com
 Images ©Conor Palin-Stewart Photography.  For more Information visit www.photocps.com
 Images ©Conor Palin-Stewart Photography.  For more Information visit www.photocps.com

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Fashion Shoot

Recently I was asked by a good friend and layout designer of DCU's Look magazine to shoot some fashion photos for a few pages in the magazine. We were lucky that we have access to a fully kited out studio, with a multitude of strobes and modifiers.

Starting out I decided to use a very simple 3 lights set up, using two large soft boxes on camera left and right and one light to light the background.  I set the lights to give a 1:2/3 ratio to give nice tonal contrast across the faces and bodies of the models.

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There were several outfits to shoot, the challenge was to use poses that were fun but were unique across the range of outfits.  I was then told that they wanted some head shots, for this i changed lighting set up to a 2 light and reflector set up, using a beauty dish and reflector in a clamshell set up and the same back ground light.

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This set up gives by far the most striking images of models when they know how to work  with your and this set up.  Although a huge amount of work would still need to be done in post to get the effect below, when it is shot with that in mind, it make the post production very easy.

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For the shoot I spent 3 hours shooting and then there was over 9+ hours spend in Photoshop and Lightroom editing these photos. To get the look i wanted from the dull looking RAW files, I had to use a myriad of techniques such as dodging, burning, selective shaping and masking to achieve the look. Some images such as the one directly above were edited for colour, converted to monochrome and then re-edited to suit the look I was after in the monochrome images.

To see more of this shoot pick up a copy of the Look Magazine in DCU or head over to my website www.photocps.com