Signal & Noise

Photographer Zack Arias, an editorial and commercial photographer based in Atlanta, GA. His fascinating  story  of both failure and successes, is quite inspirational. In this video for KelbyTraining.com he show us how many of us think. He then shows us what we should be thinking, and how we can easily be lead off track. What goes on in your head when thinking about your photography? Share your thoughts..

And as always most importantly, get out and shoot! Enjoy your photography!

want to contribue your tips trick, and show some shots leave a comment and link to your photos.

Exposure - Photography 101

So you have your camera, but you want to get out of full auto, and make your pictures look spectacular. There are a few things you need to know, Composition and exposure are the main ones. In this guide I’m going to walk you through the basics of exposure. To do this we first must know three key elements which help determine your exposure, These are;

  1. Shutter Speed
  2. Apature
  3. ISO

Getting the perfect exposure is a balancing act between these three variable.This might sound difficult but as you progress through this guide, it will become easier to understand.  I will teach you some technical terms which photographers use, fear not! These terms are used by every photographer and will make perfect sense when I explain them. Before we dive into the list above, I’d like to explain the concept of stops of light. You may have heard this term before and you have most likely heard photographers using it. A stop of light is half or double the amount of light being captured. I will explain this in context with the list above.

1. Shutter Speed.

Shutter speed is exactly what it says, it is the speed of the shutter. The shutter is a curtain that sits in front of your cameras image sensor or film.  When you press the button to take a picture, this causes the shutter to open which allows for light to hit your cameras sensor, after a short period it closes again, stopping light from hitting your sensor or film. The length of time the shutter is open is called the shutter speed. It is measured in seconds or fractions of seconds. You can have a slow shutter speed such as 30s, which allows a lot of light to hit your sensor or film, or you can have a fast shutter speed such as 1/8000th of a second which allows very little light to hit your sensor or film.

exposure-tutorial-7

A secondary effect of shutter speed is motion blur, A slow shutter speed will have more blur in the final image and a fast shutter speed will have less. Below from left to right is a fast to slow shutter speed image.

A stop of light in terms of shutter speed, is either halving the shutter speed for half the light, e.g. 1s -> 1/2s

Or doubling the shutter speed and doubling the amount of light, e.g. 1s-> 2s

2. Aperture 

Aperture is the size of the opening at the front of the lens.  The size of the aperture is measured in ƒ-numbers or ƒ-stops, I’m not going to go into the complex maths involved in finding this number, but I will explain the basics. A wide aperture is denoted by a small number and a small aperture is donated by a large number, below is a graphical representation of different apertures.

Apature is used to control the amount of light entering the camera, wide apertures such as ƒ1.4 will allow lots of light to enter the camera, and small apertures such as ƒ16 will allow only a tiny bit of light into the camera.

A secondary effect of aperture, is what is called depth of field, this is the amount of area of your photo that is in focus. A wide aperture like ƒ1.4 will give a very shallow depth of field, with very little of the image in focus  and a large aperture such as ƒ16 will give a large depth of field with a large area of your photo in focus.

A stop of light in terms of aperture is a bit more complicated then shutter speed. Below is a list of full stop apertures starting with the smallest aperture, to the widest. Each number doubles the size of the opening as you go down the table, allowing a stop of light extra into the camera.

3. ISO

ISO is how sensitive to light your camera sensor or film is to light. The lower the ISO the less sensitive the camera is, and the higher the ISO the more sensitive to light your camera is. This is great now days with digital as we can change this at anytime to allow us to shoot with faster shutter speed, smaller apertures, both or even the opposite and lower it so we can shoot with slower shutter speeds and wider apertures. I’m sure you have all heard of film grain, this is like little specks on your image. This is normally caused by your ISO. A low such as  ISO  100 has little to no noise while as you go up to higher iso’s you will see some to a lot of noise, e.g ISO800 or ISO1600.

Smilar to shutter speed the stops of ISO are either half or double the ISO number, so ISO200 is twice as sensitive as ISO100 and will capture twice( one stop) more light, and the opposite is true.

The key to getting the correct exposure is to balance these three variables, seems daunting but you only need to use two of these at a time. Put your camera into auto, Check what ISO your camera sets itself too, now change it back to manual, set it to that ISO, Now we only have to worry about shutter speed and aperture to get that correct exposure,  we have a tool built into to our cameras to help us do this. This tool is a light meter, you may find this on the back of your camera’s LCD, a top LCD and you will always find it in your view finder.

The light meter allows us to see if the image is under or over exposed. If it is under exposed you can either slow the shutter speed down, open the aperture or a combination of each  till the meter is centred meaning the image is going to be properly exposed, if this fails, try increasing the ISO.

If the meter shows that the image will be over exposed, you can make the aperture smaller, speed up the shutter or a combination of both till the light meter is centred, if this fails similar to the under exposed we can change the ISO, but this time we must decrease the ISO.

The more you get out and shoot trying different combinations of ISO, Shutter speed and Aperture the more you will learn to create the vision you want, and knowing how to control each variable is a key skill.

Composition - Photography 101

In the last tutorial of this series we talked about exposure, missed the post check it outhere. In this tutorial we are going to cover the basics of composition. Composition is extremely important, and is another key skill that a photographer must know. In this tutorial we are going to cover composition using the rule of thirds. The simplest and one of the most effect ways of making your pictures look great is to use the rule of thirds. This involves dividing up your field of view through the view finder into a 3×3 box like below.

To get a pleasing and interesting composition we place the subject on either one of the lines vertical or horizontal,  on an intersection shown with a red dot, these are power points and will create a nice pleasing composition most of the time. Experimenting with this is great, but remember it is a rule of thumb and might not work perfectly each time. Below are a few examples of its use. This rule can be used for any type of photography and will become second nature to you in no time!

Cameras - Photography 101

Thinking of getting into photography as a hobby or as work? There are a few things you need to know and do. I’ll not to bore you too much and keep it short and sweet for the first post.

Starting with the type of camera.

There are a few types of cameras and as the pro-photographer you so long to be, you should be looking at getting a decent mirror-less or DSLR camera.

 

I’d recommend getting yourself a starter DSLR kit, from Canon, Nikon or Sony. It really doesn’t matter which brand you pick, just go into your local camera shop and pick one up. Make sure to test it out and see if you like what you feel. I started out with a HP point and shoot camera (something I would not recommend, ever!), which was a christmas present. I have to say it was awful to use when compared to the old film SLR I had lying around. Eventually I managed to get my hands on a Sony A300 DSLR with a whopping 10MP sensor (top class for the time 2008), and built in-body image stabilisation, still one of Sony’s better points.

But back to the main point. I Currently shoot with a Canon 5Dmk II, which is a pro DSLR and will most likely be way beyond what you need when starting out. Below are 3 starter DSLR kits that I would recommend. All are very similar with advantages and disadvantages to each. I’m going to be as neutral as possible but as I’ve shot with all three makes. I am slightly preferential towards Canon, but I’m not going to open that can of worms.

All three cameras come with a lens, have a pop-up flash and are easy to use and perfect for beginners.

First is the Sony A37-STL

Canon 650D

Nikon D7000

 

The advantages of these systems are huge, as lenses can be swapped for different situations.  Many of the starter DSLR’s will teach you to use and shoot great pictures with their many automated modes.  Although with these modes I found myself getting complacent and not using the camera to its best. Once you have the basics nailed, take it out of full auto and try one of the other modes. You’ll find your photography will take on a new lease of life.

Not to baffle you with hundred’s of facts about cameras, but here are a few useful ones.

  • Most DSLR will now shoot video in full 1080p HD.
  • Most take a memory format such as an SD card or a CF card, which you may have lying around if you own any type of camera.

               There are thousands of accessories available to customise your camera to your needs.

As a rule of thumb not many pro photographers will shoot with brands such as Sony, Pentax and Sigma; this is simply because the range of lenses and their performance aren’t as good as the Canon and Nikon counterparts.

A tip that all pro photographers and I will give you is to invest in good glass. (The kit lens is a great starting point, but generally are, well junk compared with other lenses you can buy that are slightly more expensive) Camera bodies come and go, but lenses can be used on all or most of your camera bodies.

So if you have the choice between a Pro body with a cheap lens or a cheap starter body and a pro lens, go for the cheaper body and pro lens.

One thing I will briefly say is with modern DSLR cameras; high megapixel counts are pretty much pointless unless you are creating huge prints.  1080p HD video is only 2MP; most new DSLR’s have megapixel counts of over 12.0MP. I say this just to give you some perspective on what you can see and what your eye can distinguish.

Remember gear isn’t everything; learn to use what you have. Most importantly, get out and shoot! Enjoy your photography!